Film Movements:
Realism:
The Cinema Of Attractions - Focused on audience sensation and immediate experience rather than narrative elements, so it was exclusive or unique to attract spectators rather than telling a story.
Connected to characters, issues and narratives in every day life rather than escapism. Tend to be shot with minimal use of editing techniques.
Expressionism:
Focuses on the manipulation of film through editing and mise-en-scene to suggest meaning to the audience. Fantasy escapism and narrative are the main aspects of this. Evolved from 1900s to 1920s.
Soviet Montage Theory:
The heavy use of editing to create ideas to gain from a narrative for different ideologies.
Methods: - Attractions: Asserts audience to be moved emotionally, psychically, and politically
- Metric
- Rhythmic
- Tonal
- Overtonal
- Intellectual
- Vertical
Realism:
The Cinema Of Attractions - Focused on audience sensation and immediate experience rather than narrative elements, so it was exclusive or unique to attract spectators rather than telling a story.
Connected to characters, issues and narratives in every day life rather than escapism. Tend to be shot with minimal use of editing techniques.
Expressionism:
Focuses on the manipulation of film through editing and mise-en-scene to suggest meaning to the audience. Fantasy escapism and narrative are the main aspects of this. Evolved from 1900s to 1920s.
Soviet Montage Theory:
The heavy use of editing to create ideas to gain from a narrative for different ideologies.
Methods: - Attractions: Asserts audience to be moved emotionally, psychically, and politically
- Metric
- Rhythmic
- Tonal
- Overtonal
- Intellectual
- Vertical
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