Revision: Casablanca



Aesthetics

How are the elements of film form used to create aesthetic effect in this sequence? 

- Cinematography: close up of Isla, cinematic filter over women to give haze-y, angelic look
- Lighting: curtains blot out most light, giving a darkened atmosphere, and ominous atmosphere, romantic atmosphere as well due to the close proximity

Does the beauty of the moment in the film also propel the narrative forward? 

- It emphasises the relationship between Isla and Rick by creating a fantastical element

Does the narrative pause to allow the spectator to appreciate the aesthetic qualities of the film? 

- The narrative continues through dialogue whilst the aesthetic qualities emphasise the narrative

Does the decision to create a strong aesthetic effect suggest something about the film's key message? 

- It shows the film noir style through visuals, the slates of the curtains creating a crossed shadow across the room. It doesn't however link to the key message of the Second World War.

Is the aesthetic effect in this sequence typical of this filmmaker? 

It was typical of the Hollywood style of Warner Bros. other than Michael Curtiz himself.

How is the pace of the film being managed? 

Through quick paced editing, the pace of the film is quickened, contrasting close ups of Isla and Rick show the difference in pace, before it slowing down until it becomes a two-person shot of them in close proximity.

How is the look of the film being created? 



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